Wednesday, May 14, 2008

Cops and Michael Moore

From http://prisonplanet.com/articles/may2008/051408_cops_caught.htm


 


 






Cops Caught On Camera Stomping More Heads
Tasering people into submission by pain compliance is not enough, they also must kick the living crap out of petty thieves for good measure







Paul Joseph Watson
Prison Planet
Wednesday, May 14, 2008


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Not satisfied with using pain compliance to Taser people into submission, police officers have now begun to kick the living crap out of suspects just to make sure. An incident that occurred in Indiana yesterday marks another chapter in a wave of police brutality that has swept the nation.

26-year-old Felipe Alvarado was chased by police after being fingered as a suspect in vehicle burglaries, but police metered out a punishment more befitting of a dangerous murderer.

Watch the clip.


The video shows the suspect fall to the ground after officers Taser him before delivering brutal kicks to the man's face, chest and back.

(Article continues below)






After the man is flat down on his face and handcuffed, another officer delivers one more boot to his head.

Sgt. Matthew Mount of the Indiana police then ludicrously attempts to explain away the kick by claiming that the cop was trying to prevent "the possibility of bodily fluid exchanges," claiming the suspect was spitting at the officer despite the fact that the video shows his head turned away from the officer towards the ground.

The four brutal kicks delivered before the final boot to the head are completely glossed over and ignored.

The incident follows the arrest of IMPD officer Adam Chappell in connection with kicking a 17-year-old during last year's Indiana Black Expo Summer Celebration.

A similar incident in Philadelphia caused controversy last week after officers were caught on video brutally assaulting, kicking and beating two men who they apprehended at a traffic stop. The victims were later proven innocent and had no connection to the shooting of an officer as police claimed at the time.

 

Why do police feel that it is necessary to kick the living crap out of petty thieves as well as completely innocent people? Cops are now being trained that their duty is to fight terrorism as well as crime and they have been brainwashed into thinking that deadly killers are lurking around every corner.

Since there are no real terrorists, small time crooks and the general public are now enjoying the fruits of the crackdown.

As we have exhaustively documented - and it's difficult to keep track because we see stories like this almost every day - a pandemic of police brutality is feeding upon the nation. The training that police started to receive post-9/11 is really starting to manifest its consequences.

Back in the days of mom and apple pie, American cops used to be the most respected in the world. Now they behave more like imperial jackbooted thugs worthy of a third world dictatorship like Nepal or Zimbabwe.


 


 


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From http://www.infowars.com/?p=2123


 


Fahrenheit 9/11 Sequel: Michael Moore’s Chance to Tell the Truth



Kurt Nimmo
Infowars
May 13, 2008











Is it possible Michael Moore will attempt to cash in on the success of Loose Change, the most downloaded film in internet history?


According to Festival Central, Moore is working on a Fahrenheit 9/11 sequel, although the site, associated with Variety, does not go into detail about Moore’s new project. “Michael Moore is making a sequel to ‘Fahrenheit 9/11′ for Paramount Vantage and Overture Films, who will shop the project to international buyers when the Cannes Film Festival and market get under way today,” write Pamela McClintock and Anne Thompson.


It does not seem likely Moore will rehash his last project, basically a partisan Democrat indictment of the Bush administration and the Saudis. He can go one of two ways — he can support the official fairy tale version or venture into 9/11 truth territory. The former is not likely, as Moore is on record as saying he does not “think the official investigations have told us the complete truth — they haven’t even told us half the truth.” He has also brought up the fact that fire fighters have told him “over the years and since Fahrenheit 9/11 that they heard these explosions — that they believe there’s MUCH more to the story than we’ve been told.” For more on this, see Aaron Dykes, Michael Moore: 9/11 Could Be Inside Job.


















However, at the risk of coming off as cynical, it should be noted that by the time Moore’s new 9/11 film appears next year, a Democrat will probably be in the White House. Some have speculated that the Democrats will attempt to defuse the growing 9/11 truth movement by conducting yet another investigation, this time affixing blame for the attacks, even producing a LIHOP version for mass consumption. It remains to be seen if the Democrats will venture into such turbulent waters, as the announcement of another investigation will certainly produce demands for independence and impartiality, thus making it difficult for the government to control the outcome.


On the other hand, if we are to believe Moore (see the We Are Change video above), he may cover important topics in his sequel, including the fact the government has not released numerous surveillance videos in their possession of the Pentagon attack and also the impossibility of a cave dwelling terrorist flying a large plane into the Pentagon at 500 plus miles per hour. It is curious, though, that Moore concentrates on the Pentagon at the expense of the WTC and in particular Building 7, as Building 7 is the most transparent example of an inside job.


Moore’s desire to produce a Fahrenheit 9/11 sequel may also have something to do with the fact his last film, Sicko, bombed at the box office. No doubt Moore realizes 9/11 truth, despite the corporate media’s orchestrated attempt to destroy it, is a hands down winner. Michael Moore may have learned the lesson provided by the various iterations of Loose Change — millions of people want the truth and they will go out of their way to find it. Let’s hope, with Moore’s sequel, they only have to venture to the neighborhood cinema.

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